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Jan Willem Nelleke

Jan Willem Nelleke (*1963) is a dutch composer, arranger and pianist. His performing career as accompanist and chamber music player has given ample opportunity to create compositions and arrangements for the players he works with, notably flautist Philippa Davies and ensemble Domestica Rotterdam. Jan Willem Nelleke teaches as a coach-pianist at the Royal Conservatoire in the Netherlands, and is also a board member of the Franz-Schubert-Institut in Austria.

Biography

Dutch pianist JAN WILLEM NELLEKE is a versatile pianist. He is an accompanist, chamber music player, orchestral musician, coach, composer and arranger. In addition he is experienced in playing harpsichord, harmonium, fortepiano, synthesizer and celesta.
Jan Willem's exceptional qualities as a duo partner have been widely recognised. His playing has been described as 'sparkling raindrops, rich chords and beautiful interludes' and an 'ever alert co-operation with the soloist'. He has given concerts throughout Europe.
Jan Willem is a member of Domestica Rotterdam and has played with London Winds (including their tour of Ireland), the Erasmus ensemble and many ad hoc ensembles at festivals.
As an orchestral musician he has played with the The Hague Philharmonic Orchestra, the Rotterdam Philharmonic Orchestra and the Metropole Orchestra. Apart from playing keyboard parts in orchestral performances he has a vast experience in accompanying auditions and playing soloist rehearsals with these and other orchestras.
Jan Willem is coach-pianist at the Royal Conservatoire in The Hague. He regularly works with students at the Guildhall School of Music and Drama (London) and is also a teacher/artist in residence at the Franz Schubert Institut in Baden bei Wien (Austria), coaching duos in German lied repertoire.
Himself a noted composer of songs and chamber music, he has also produced a large number of arrangements that have regularly found their way into the repertoire. In 2022 his orchestral composition 'Arid' received a successful premiere.
An extensive knowledge of historical performance practice and a thorough background in music theory form the basis for his skills in editing. He is currently involved in editing and publishing the works of English composer Paul Reade.
Recordings include chamber music by Poulenc, works for cello and piano by Schumann, song cycles by Schubert and Fauré, as well as the Gershwin Piano Concerto following a critically lauded performance at the Concertgebouw, Amsterdam. Recently a new recording of songs by female composers with mezzo soprano Bettina Smith was released by LAWO Classics.